wander synonym -VISUAL THESAURUS

Beethoven 9 d- mi

Beethoven - Opferlied and Symphony Number 9 by Philharmonia Baroque

Digitalis Kitsch Blog: Junho 2005

-ló


Um dos doces míticos da minha infância foi o pão-de-ló. Em primeiro lugar, porque a minha mãe o confeccionava regularmente - lembro-me da trabalheira para bater as gemas com o açúcar, até atingir o ponto certo. Em segundo lugar, porque nas poucas vezes que passei férias na Lousã, em casa dos meus avós maternos, depois de cozerem o pão, a broa, a bela da chanfana e o ainda melhor cabrito assado, no forno de lenha, era usual fazer uns quantos pães-de-ló, para aproveitar os derradeiros calores do forno. Para gáudio dos gulosos mais novos, juntamente, com os bolos grandes enchiam, daquela massa leve e dourada umas formas mais pequenas destinadas às crianças, eu, minha irmã e primos. ( Já agora ... fabricavam umas merendinhas ou merendeiras, pequenos pães de milho, a cuja massa ainda crua se adicionava cebola e bocadinhos de toucinho, de comer e chorar por mais). Por outro lado, mesmo em S.Miguel, no Natal e na Páscoa, o meu pai era presenteado pelos fornecedores com os em boa hora gigantescos pães-de-ló de Margaride.

Mas, o principal motivo que me levou a escrever sobre o bolo em apreço, foi o seu divertido nome. A designação atribuída a este bolo tão fofo e saboroso constitui um verdadeiro enigma.

Em tempos remotos, teria sido, primeiramente, designado por castela. A denominação viria do ponto dos ovos ao serem batidos. Devem ficar em castelo, ou seja, firmes. Ou, então, o nome do bolo derivaria de castela, antiga moeda castelhana, que circulou em Portugal no tempo de Dom João I (1357-1433).

Clothed in purple light: studies in genesis

Clothed in purple light: Galatea rejects

Cleopatra: Being an Account of the Fall and Vengeance of Harmachis, the Royal Egyptian, as Set Forth by His Own Hand

More details
Cleopatra: Being an Account of the Fall and Vengeance of Harmachis, the Royal Egyptian, as Set Forth by His Own Hand
By Henry Rider Haggard
Published by Adamant Media Corporation, 2002
ISBN 1402160011, 9781402160011
292 pages

Of the Tomb of the Divine Menkaura of the Writing
26
Harmachis , Cleopatra , Brennus
CHAPTER XII
145
Charmion , Tauchnitz , Osiris
Of the Coming back of Harmachis of the Greeting
45
CHAPTER XIV
78
Brennus , Taranis , Cydnus
CHAPTER XV
92
Fulvia , vinegar , astrologer
CHAPTER XVI
111
art thou , Syrian merchant , thou didst
more »
CHAPTER I
129
CYPRUS , footfall , TARSUS
CHAPTER II
145
sistra , Let me kiss , Amenti
CHAPTER III
158
Syria , Sarcophagus , Actium
CHAPTER IV
172
Actium , learned Olympus , Tarsus
CHAPTER V
187
TIMONIUM , Octavianus , Eudosius
CHAPTER VI
202
Seleucus , Caesar , Octavian
CHAPTER VII
219
Ptolemy , Eros , Sihor
Page
5
Tauchnitz , Rider Haggard , Pfennig
Of the last Supper of Cleopatra of the Song of Char
8
Khufu , Csesar , Timonium
CHAPTER IX
253
atoned , High Priests , phial
CHAPTER X
267
THE FALL OF HARMACHIS
9
pyramid , Lepidus , need of Khem
Of the Tomb of the Divine Menkaura of the Writing
26
mummy , emeralds , unwound
Of the Coming back of Harmachis of the Greeting
45
Marriage , Dellius , TRIUMVIR
CHAPTER XIV
78
livest
CHAPTER XV
92
vinegar , slave , canst
CHAPTER XVI
111
Syrian merchant , thou didst , Haunted be thy
CHAPTER I
129
CYPRUS , TARSUS , pitiful to thee
CHAPTER II
145
Let me kiss , Love Divine , holy Amenemhat
CHAPTER III
158
Sarcophagus , Divine Rameses
CHAPTER IV
172
Canidius , Gods of Egypt , didst bid
CHAPTER V
187
TIMONIUM , Eudosius , Jews
CHAPTER VI
202
CHAPTER VII
219
Of the last Supper of Cleopatra of the Song of Char
233
CHAPTER IX
253
CHAPTER X
267
« l

10 s

South metope 27 from the Parthenon

Marble, 4'5 x 4'5

British Museum, London, c. 447-438 B.C.E.

Slide 40: Louvre metope
Parthenon_Metope_10_South_Louvre

Slide 41: Frieze section (image not found)

Slide 42: Parthenon West Frieze: 2 horsemen
[The Parthenon frieze was originally located within the pteroma at the top of the cella walls. It wrapped around the entire building and was 524 feet long. It is 3 feet, 3 inches high. Unlike the metopes, it is carved in very low relief, about 3 inches deep and slightly higher at the top for greater visibility. In its original situation, it was indirectly lit....]

The Parthenon frieze was originally located within the pteroma at the top of the cella walls. It wrapped around the entire building and was 524 feet long. It is 3 feet, 3 inches high. Unlike the metopes, it is carved in very low relief, about 3 inches deep and slightly higher at the top for greater visibility. In its original situation, it was indirectly lit. But, it appears to have been carved in situ since the composition takes into account the columns of the peristyle. The frieze was carved entirely out of Pentelic marble. The grain runs horizontally. Like the other Parthenon sculptures, the frieze was originally painted and the background was bright blue ! Today about 420 feet of the frieze survives. About 60 percent of it was removed by Lord Elgin and is presently located in the British Museum in London. Most of the rest of the frieze is in the Akropolis Museum in Athens, however, parts can also be found today in Paris, Rome, Palermo, Vienna, and Heidelberg. The subject of the frieze is a procession that starts at the southwestern corner of the building and wraps around both sides, meeting in the center of the east frieze on the front of the building. Most scholars believe that the frieze represents the Panathenaic procession, however, the details of this identification are very controversial...